Sunday, 31 December 2017

Product Review Series | Irojiten Coloured Pencils by Tombow


Hi everyone, thank you for stopping by. I hope you're having a great day.

To wrap up the year, and because it's Sunday I have a final product review for 2017. As many of you know I received a bunch of stuff for Christmas and I promised some reviews. Today I am doing the Irojiten Coloured Pencils by Tombow. If you haven't heard of these before, do some Googling and then come back here. I'll wait.



For those of you that have seen them and are interested in more information, sit back and relax, grab a cup of coffee and read on! As always, this is a lengthy post with lots of pictures and information.

  • Wax-based
  • Made by Tombow
  • White barrel with painted end for colour identification
  • Each pencil has a number and name directly engraved
  • Each box has a list of colour numbers and names included
  • Each set contains three volumes of 10 pencils (30 per set, 90 in the collection)
  • They are pre-sharpened


Set one contains:

  • vol 1 Pale tone 1
  • vol 2 Vivid tone 1
  • vol 3 Deep tone 1
For the purposes of this demonstration I will be using this set for the examples as I feel it gives the widest range of colours as well as what I consider to be "true" colours. Vivid tones is what I expect rainbows to be made of. 


I tested on my three most common papers - 110lb white cardstock, 65lb kraft cardstock and 65lb black cardstock. The stamped image is from Lawn Fawn's "Our Friendship Grows", stamped with Memento Tuxedo Black ink.

I used P1 and P2 (Orchid Pink and Coral Pink) for this example. Basically, I'm testing to see how they lay down on each of the papers and how much they stand out from the background.

As you can see on the white cardstock that the colours are very pale - which I expected coming from the pale tones. They continue to be quite soft on the kraft but not so much that I would choose not to use them. They stand out magnificently on the black - obviously you cannot see the stamped image, but the colours stand out very nicely. Again, colour choice is important on a darker cardstock, and it will take some experimentation before you find what works for you.

Observations:
  • Core is a medium hardness - definitely harder than Prismacolor Premier pencils, but softer than a Faber-Castell Polychormos.
  • I found that on all three papers the pigment lay down evenly without a lot of effort and they layered very nicely.
  • It did not hurt my hand to use them. I didn't feel the need to grip the pencil tightly nor did I have to apply a lot of pressure to lay the pigment down.
  • The colours I chose for this were very close together so it didn't entail a lot of blending at this point.


For the blending test, I lay down V1 (vivid tones 1) Cherry Red, V7 King Fisher (the blue) and then over top V3 Dandelion. On the left of the swatches is blending with the pencil. On the right I am blending with Gamsol.

Observations:

  • The colours do less blending and more sitting together. You can see this specifically in the green area, where I lay the yellow over the blue. It seemed to fill in the gaps between the blue streaks causing the colour to appear green. 
    • This is very different than the Prismacolors that seem to blend and mix together on the page.
    • These seem to just work "together" to look the way I wanted it to.
  • On the right where I used Gamsol, you can see that the blending is smoother and there is less visibility of the tooth of the paper - the Gamsol reacts as expected with these as they are a wax based pencil.

For the erasability test, I lay down the V1 Cherry Red in two layers over the paper. On the left I used a regular white eraser and on the right I used the Tombow Mono Sand Eraser. I chose red as it is the hardest colour to fix errors with or to blend. Red is a nightmare in pretty much any medium from coloured pencils through to nail polish.

Observations:
  • Both erasers did a decent job of pulling up the pigment. I wasn't expecting perfection as it is red.
  • The regular eraser (left) was able to lift more pigment than I expected and if I should have a tick or a mistake in a piece I suspect it would work nicely.
  • The Tombow Mono Sand eraser was able to pull up a lot more pigment as expected due to the nature of the eraser. If you haven't gotten one of these I highly recommend you check them out in the link above.

Set two contains:
  • vol 4 Pale tone 2
  • vol 5 Deep tone 2
  • vol 6 Light Grayish tone 1 
I found their naming of Light Grayish tone 1 interesting as there isn't another one, but maybe in the future.... who knows?

This set rounds out the pale and deep tones that are found in set one and expands into muted tones. I would naturally gravitate towards the Light Grayish tones for background or shadowed areas in a forest or floral scene.


Set three contains:
  • vol 7 Fluorescence
  • vol 8 Very pale tone
  • vol 9 Dull tone
If you are not buying the full set, this is the last I would recommend, and maybe that's why they put these together as they did. I don't tend to use very bright colours and I'm still searching for a reason to use the Fluorescence pack. 

The very pale tones (vol 8) just screams baby cards or Easter cards and I definitely cannot wait to use these in that way.

Vol 9 Dull tone reminds me of a swamp or a forest at night and I will likely use them as such when a project comes my way with those things. I highly suspect that this third set will be the least used.


Here I have completed my swatch pages for all the colours - I'll have an entire post about swatching and why it is important in the future but this will give you a basic look at the colours and how they have set out their palettes for this collection.

Overall Conclusions:
  • These pencils are super pretty to have in my craft room. They just look classy. So far the packaging has held up quite well, but I haven't taken them to travel yet. Regular use in the craft room, they take up a lot of space when they are all laid out. If you aren't into the pretty packaging I would recommend a pencil case of some kind.
  • The pencils feel good in the hand. They have a smooth round barrel that is comfortable and I don't feel like I have to hold tightly.
  • They lay down very nicely overall, the pigment quality is quite good. If find them comparable to Prismacolor Premier pencils - though the core is harder.
  • The colours are true - One pencil is called "apricot" and when I lay down the pigment I am not disappointed when I see the apricot colour. They also match their painted ends rather well, so well done there - no sneaky surprises when grabbing a pencil. We've all been there and it's a dark, angry place.
  • The colours are very unique which is not something you see with a lot of other pencil brands. 
  • There is a disgusting lack of grays. Out of the entire set of 90 pencils there are two grays. TWO!! I happen to like to use a lot of gray in my pieces for shading and animals and it was incredibly disappointing to find only two. Both of which are in the first set - another reason why I recommend that set the most.
  • They sharpen nicely and I did not have any breaks. As always the sharpener I use and highly recommend is the T'GAAL multi-sharpener by Kutsuwa
If you are looking to expand your coloured pencil collection I highly recommend them. The unique colours and the range in which they come with this set will make an excellent addition to your pencil collection.

However, if you are looking for your first "Artist" grade pencils - these are not the way to go. I would only recommend these to people who already have or are planning to have another set, such as the Prismacolor Premiers or the Faber-Castell Polychromos. 

I hope you enjoyed today's review. If you have any questions about these pencils or a suggestion for a future review, please leave me a note in the comments section below. If you haven't already, please follow me on the right side bar or over on Facebook so you don't miss any future posts.

Have a Happy New Year

*disclaimer: I am not sent products to review nor am I paid to review them. I review the products that I have, that I find interesting and that I have paid for (or in this case received as a gift). I receive no payment, reward or incentive by the company to review the product. All reviews are based on my experience with the product and are my opinion only.

Saturday, 30 December 2017

Coloured on Kraft Series | Hippo Birthday ft. MFT "Happy Hippos"


Hi everyone, thank you for stopping by. I hope you're having a great day.

As crazy as it sounds, I think the Holidays have me a little Lawn Fawn'd out. It wasn't until I was done the whole series that I realized 95% of the cards were based on Lawn Fawn. Whoops. It wasn't intentional. I just didn't get my hands on the Christmas stuff I wanted from other companies in time. (foreshadowing?)

Anyway, today I'm taking a little break from Lawn Fawn, don't get me wrong I still love them, but I just need to take a step back and take a different perspective. Today I have a card featuring MFT's "Happy Hippos" coloured on kraft with coloured pencils.


To begin, I cut down a piece of 65lb kraft cardstock by Recollections and stamped the hippo, balloons and hat from the "Happy Hippos" set with VersaMark ink. I chose to use embossing ink because it doesn't leave harsh stamping lines, and if you have followed this particular series for any length of time, you know just how much I love the no line colouring look.

I masked off the images and used my cloud stencil and soft blue pigment ink by CTMH to create the cloudy background. I had originally thought to make the clouds whiter, but that would have taken away from the panel being kraft - I mean, I would know and you would know, but would the rest of the world understand? So I left it as it was and I'm pretty happy that I didn't shake things up.

I started colouring the balloons using the Black Widow/Scorpion wax based coloured pencils (review coming) and was pretty happy with how they turned out. They lay down a little differently than other wax brands I have - but I'll get into that in the coming review.

For the Hippo, I used my Faber-Castell Polychromos pencils - which are an oil based pencil and I'll have a review of those coming up in the new year as well. I used the warm grays to colour the hippo completely.

I can hear you now -- "what?? different brands of pencils? wax and oil? in the same piece???" Oh I know, not typically something I do. But here's the thing. Out of the 48 Widow/Scorpion pencils - there is one gray. One. And honestly, it isn't even really a good one - but again, I'll get more into that in the review. I promise. If I remember, I'll back link to this post so we can all be righteously indignant together.

To finish off, I mounted the kraft panel to the front of my A2 sized card base and then stamped the greeting from the same set using Memento Tuxedo Black ink.

I hope you like today's card and are inspired to create something of your own. If you haven't already, please follow me on the right side bar or over on Facebook, so you don't miss any future posts. Drop me a line in the comments section below and let me know what you think. I could use some cheering today, so even a hello would be great!

Friday, 29 December 2017

Floral Thoughts Series | Cheer Up ft Clearly Besotted "Sunshine & Smiles"


Hi everyone, thank you for stopping by. I hope you're having a great day.

Now that Christmas is over, and we've had our white winter wonderland, I'm pretty done with winter. I'm done with the snow and the cold and the biting wind. If you look outside it doesn't look that bad, it looks crisp and clean - then you open the door and you're blasted with sub-zero temperatures that just make you want to curl up in bed with hot tea and a book.

In the hopes of spreading some warmth, today I have a bright card that I'm hoping will cheer us all up as we trudge through yet another week of temperatures in the -25C (-13F) range and snow halfway to our knees.


To begin, I prepped a piece of Strathmore 140lb cold press watercolour paper with my powder tool and stamped the sunflower (or maybe a daisy) image from Clearly Besotted's "Sunshine & Smiles" set with VersaMark ink and heat embossed it with detail white embossing powder.

I used the Zig Clean Color Real Brush markers to add colour to the image; starting where I wanted my darkest shadows to be, then using my water brush to pull the colour out towards the ends of the petals and the leaves.

Working in relatively large sections, I wet the paper around the image then dropped in colour, pulling it to the edges of the paper to create a soft blue background.

Once the panel was completely dry, I stamped the greeting from the same set using CTMH Archival ink. I chose archival ink as it is waterproof and won't run if the paper is still a bit damp. If I were a patient person, I probably would have done the greeting in a mid-grey or even an ochre. But I don't have those in archival ink.

I used super strong two-way tape to adhered the panel to the front of a standard A2 sized card base. Then, to finish off the card, I added a scattering of yellow sequins across the piece.

I hope you like today's card and are inspired to create something of your own. If you haven't already, please follow me on the right side bar or over on Facebook, so you don't miss any future posts. Drop me a line in the comments section below and let me know what you think.

This card is for:

Simon Says Stamp Wednesday Challenge
Anything Goes